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Historic Court House Britselei, Antwerp (B).

Rehabilitation for architect Lode Baeckelmans.

 This project comprises the restoration, renovation and conversion of the historic court building in Antwerp, preparing it in a sustainable fashion for its future programme as home to the Courts of Assize and Appeal.

Our design constitutes a restoration of the building’s original design as conceived by architect Lode Baeckelmans in 1867. This design, which is characterised by a clear and hierarchical morphology organised around 2 central courtyards and the Salle des Pas Perdus, was compromised even during its execution, partly due to the architect’s untimely death. In the decades that followed, numerous interventions further undermined the purity and flow of the original design. 

From the very earliest stages of our work on the project, it became clear that Baeckelmans’ original design was still very much relevant for the building’s future programme. Our primary interventions therefore consist of the meticulous unravelling of the various elements that detract from the “reading” of the original design and hinder the spatial experience and functional application of the building. The elements of the building that remained were then carefully restored.  Several 21st century additions were also made with care and respect for the historic nature of the building, thus enabling the execution of the building’s programme in accordance with contemporary standards for comfort, sustainability and security. This includes the integration of various technical facilities, the construction of an additional courtroom and staircase, the restoration and extension of the original staircases and commissioning of the historic attic. 

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Location
Britselei 55/57, Antwerp, (B).
Year
2015
 – 
2023
 – 
...
Size
28.000 m²
Status
Built
Team
Bart Biermans
Gill Bruggeman
Wouter De Ceuster
David Jacobs
Isabelle Leempoels
Stephanie Leirs
Jeroen Peeraer
Ibiza Roca Mosher
Marie van Kerckhoven
Photography

Stijn Bollaert, David Jacobs, Wouter De Ceuster.

Visualisation
OJPA implantation plan
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The historic Courthouse from 1867 - originally designed by architect Lode Baeckelmans - was placed pontifically on the Leien, Antwerp's inner ring road.
The historic Courthouse from 1867 - originally designed by architect Lode Baeckelmans - was placed pontifically on the Leien, Antwerp's inner ring road.
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OJPA-schema's
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We propose a set of measures that clarify and strengthen the historic structure of the building.
We propose a set of measures that clarify and strengthen the historic structure of the building.
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OJPA-1
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The neo-classical appearance at the Britselei is a blueprint of the internal section with a centrally located Salle des Pas Perdus and 2 courtyards in the flanks.
The neo-classical appearance at the Britselei is a blueprint of the internal section with a centrally located Salle des Pas Perdus and 2 courtyards in the flanks.
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OJPA-2
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The Salle des Pas Perdus is a space for reception and informal meetings. A new pavilion provides for a division into a zone before screening and a zone after screening.
The Salle des Pas Perdus is a space for reception and informal meetings. A new pavilion provides for a division into a zone before screening and a zone after screening.
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The originally symmetrical entry of daylight was restored by creating circular holes in the floor and roof of an adjacent circulation.
OJPA-2C
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For us, restoring daylight is considered a restorative procedure. For example, extensions disturbed the symmetrical incidence of light in the Salle des Pas Perdus. By clearing the historic window openings and designing cuts in the roof and floor plate of the adjacent circulation, the atmosphere proposed by architect Baeckelman could be restored.

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The historic courtyard was pitted and the facades restored. A light-footed peristylium makes a dry passage.
The historic courtyard was pitted and the facades restored. A light-footed peristylium makes a dry passage.
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The situation before the pitting.
OJPA-9
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By clearing the historic courtyard, gentle light enters the adjacent courtrooms again.
By clearing the historic courtyard, gentle light enters the adjacent courtrooms again.
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The small courtyard next to the Courts of Assize was also pitted. Here, space was made for the integration of a new courtroom.
The small courtyard next to the Courts of Assize was also pitted. Here, space was made for the integration of a new courtroom.
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The interior of the new courtroom is characterized by a sober but careful materialization and detailing, and by zenithal daylight.
The interior of the new courtroom is characterized by a sober but careful materialization and detailing, and by zenithal daylight.
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The waiting area near the courtroom is located on a small patio. The latter also clears a historic facade.
OJPA-20
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“The renovation project of the courthouse on the Britselei proves that a historic setting and modern Justice can go hand in hand. In cooperation with the architects, citizens were placed first. Among other things, by providing a unified reception, separate waiting rooms for victims, rooms for the victim treatment service, and easy accessibility for people with reduced mobility.” FOD Justitie

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OJPA-6
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Daylight entry in the Courts of Assize also benefits from the pitting of the adjacent courtyards.
Daylight entry in the Courts of Assize also benefits from the pitting of the adjacent courtyards.
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The organization of the historic room for the Courts of Assize was revised in function of a wider schedule of sessions. This increases space efficiency without, however, affecting the exceptional atmosphere of the room.

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A small courtyard — which has been fully built over the past decades — has been pitted and is now making space for a new monumental staircase that connects the various departments.
A small courtyard — which has been fully built over the past decades — has been pitted and is now making space for a new monumental staircase that connects the various departments.
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The facades of the courtyard were preserved as we found them after pitting, and then limed. This choice brings to mind the historic outdoor space.
The facades of the courtyard were preserved as we found them after pitting, and then limed. This choice brings to mind the historic outdoor space.
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The implementation of the new staircase was a feat.
The implementation of the new staircase was a feat.
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Construction drawing of the new monumental staircase.
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The new wooden interior carpentry is a contemporary tribute to the building's historic joinery.
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The historic attic was cleared to house landscape offices. The facade was erected on the side of the courtyards. Subtly integrated dormers were provided on the street side.
The historic attic was cleared to house landscape offices. The facade was erected on the side of the courtyards. Subtly integrated dormers were provided on the street side.
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The raised facade, at the top, along the courtyard.
OJPA-23
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The space under the dome above the main entrance was set up as a refectory and reception area for staff. The wood paneling houses work tablets for the warm-up kitchen, storerooms and benches. The tile pattern is a reference to patterns that we found elsewhere in the building.
The space under the dome above the main entrance was set up as a refectory and reception area for staff. The wood paneling houses work tablets for the warm-up kitchen, storerooms and benches. The tile pattern is a reference to patterns that we found elsewhere in the building.
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OJPA-16A
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“During the restoration works, several historic murals were found that were still in excellent condition. Some of these original color patterns have been restored and made visible to all users, as witnesses to the colorful original design.” Origin

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OJPA-22
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The construction of the pavilion can be dismantled and remounted elsewhere.
The construction of the pavilion can be dismantled and remounted elsewhere.
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The reception building for detainee transport offers discretion and a smooth and safe passage. It takes the form of a garden pavilion, separate from the historic building. The color is a reminder of the cherry blossoms that once characterized Anselmostraat.