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Palace of Justice, The Hague (NL)

Working with what's available.

The Palace of Justice in The Hague faces an enormous challenge: a complete renovation and partial extension, while remaining operational during construction. The Central Government Real Estate Agency (RVB) has boldly opted for a circular approach, preserving the entire 78,000 m2 complex, including the modernist buildings (architect Frank Sevenhuysen) from the 1970s (P1 low and P1 high) and the nineties high-rise (P2) by architect Niek van Vugt.

Our proposal for the new Palace of Justice raises the bar. It sets a new standard for circular design by maximally reusing not only the natural stone of the facades, but also the existing glass. We're prioritizing the use of these readily available materials and are embracing sustainability in a new way. We call this approach 'the new way of building'.

In addition to this innovative circular approach, the design focuses on the well-being of users. Within the palace and offices, we give priority to design interventions that strengthen connections with the outside, leaving more space for light and greenery.

A spacious garden, directly accessible from the restaurant, enriches the roof of the lower P1 volume. In the garden, we design a smart architectural element: a traditional gallery in a contemporary form. The gallery acts as an efficient connection between all parts of the building, allowing the magistrates to reach the courtrooms quickly and safely. By making this specific route, a disconnect between magistrates and the public is possible, which improves safety and peace of mind. Because the magistrates are efficiently led to the halls, it is possible to allow the public's waiting areas to reach the facade, where large city windows can be made.

The magistrates' route is not only efficient, it is above all very pleasant. The tour creates a sheltered connection and a sheltered courtyard. It also allows users to enjoy natural light and fresh air prior to their arrival in court.

Through these design choices, we create an environment where users can fully experience the qualities of the natural elements.

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Client
Rijksvastgoedbedrijf
Location
Den Haag, (NL).
Year
2023
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 – 
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Size
78,000 m2
Status
Ongoing
Team
Shruti Athavale
Pierric De Coster
Koen Drossaert
Lotte Groven
Alberto Ibanez Puertolas
David Jacobs
Simon Lievens
Marte Moritzen
Dominika Oleksakova
Marta Ricci
Catheline Roggen
Geronimo Saey
Jeroen Vandervelden
René van Poppel
Robin Verpoort
Amina Yusupova
Awards
Publications
Photography
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In the 1960s, architect Frank Sevenhuijsen designed a building as a modernist volume, clear, free-standing in the environment, but with a strong relationship between interior and exterior.
In the 1960s, architect Frank Sevenhuijsen designed a building as a modernist volume, clear, free-standing in the environment, but with a strong relationship between interior and exterior.
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The original interior was also clear in the limitation and coherence of the materials used, and special in its internal spaciousness.
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In the 1990's, building P2 (the tower) was added, designed by architect Niek van Vugt. The tower was merged with the original building P1. Additional surrounding buildings have ensured that the Palace of Justice has now become completely encapsulated. Alterations within the original building have alsojeopardized its internal coherence and transparancy.
In the 1990's, building P2 (the tower) was added, designed by architect Niek van Vugt. The tower was merged with the original building P1. Additional surrounding buildings have ensured that the Palace of Justice has now become completely encapsulated. Alterations within the original building have alsojeopardized its internal coherence and transparancy.
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Approach | A number of strategic interventions are being made to strengthen the urban quality and the readability of volumetry.
Approach | A number of strategic interventions are being made to strengthen the urban quality and the readability of volumetry.
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Result | As a result of these interventions, buildings P1 and P2 will again be located more as autonomous volumes in a highly greener landscape.
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The result is a coherent ensemble, with clearly legible parts.
The result is a coherent ensemble, with clearly legible parts.
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The open relationship between landscape and building, as foreseen in the original design, is being restored in a contemporary way.

In the 70s, people came in via an infrastructure landscape; in our design, you enter the building through a human, generous and green front space.

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The new entrance area; an open and inviting landscape.
The new entrance area; an open and inviting landscape.
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The original entrance, where bridges across the car park entered the building.
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Sevenhuijsen's original design is characterized by the use of recognisable pure materials in specific patterns.
Sevenhuijsen's original design is characterized by the use of recognisable pure materials in specific patterns.
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A spacious central staircase with large windows forms the recognisable heart of the public area.
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The public area is open. Large city windows provide a strong relationship with the outside, and voids provide extra daylight and space.
The public area is open. Large city windows provide a strong relationship with the outside, and voids provide extra daylight and space.
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The design of the public area builds on the specific character of Sevenhuijsen's design.
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The new interiors of the courtrooms are based on materials and details found elsewhere in the historic interiors.

The halls are consistent in design, but are always nuanced due to scale and/or importance.

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The magistrates' route is not only efficient, it is above all very pleasant. The tour creates a sheltered connection and a sheltered courtyard.

It also enables employees to enjoy natural light and fresh air on their way to and from the courtroom.

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Two connectors — each in the form of a gallery around a roof garden — form the connection between the buildings P1 Low, P1 High and P2.
Two connectors — each in the form of a gallery around a roof garden — form the connection between the buildings P1 Low, P1 High and P2.
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All employees enter the building via a deepened entrance area, from where they continue their way to the various workplaces.
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The new facade of the P1L is created by rearranging the existing natural stone. By leaving space between the slabs, space is created for new windows.
The new facade of the P1L is created by rearranging the existing natural stone. By leaving space between the slabs, space is created for new windows.
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New facades are created by rearranging the elements of the existing facades. Interfering elements are removed, and new elements are added where necessary.

Not only is the natural stone recovered from the facades; even the existing glass is reused as much as possible.

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The new facade of the P1L is related to the new façade of the P2 tower.
The new facade of the P1L is related to the new façade of the P2 tower.
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We found inspiration in old P2 design drawings. A number of principles that were not implemented helped us to achieve a better landing of the building.
We found inspiration in old P2 design drawings. A number of principles that were not implemented helped us to achieve a better landing of the building.
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In the redesign of the P2 facade, the building is given a more urban landing and a more human touch.
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A fragment of the new facade. The extra depth makes the extra window height possible. Plinth and superstructures are distinguished, but have a clear relationship in terms of design.
A fragment of the new facade. The extra depth makes the extra window height possible. Plinth and superstructures are distinguished, but have a clear relationship in terms of design.
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The façade is being redesigned, with the existing material being reused as much as possible.
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